Fender 5E3 Deluxe Tweed> Amps & Preamps

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The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums. After advertising the Broadcaster in music trade papers in February 20, , Gretsch took notice and sent Fender a telegram asking them to change their name. Therefore Fender was forced to drop the name Broadcaster. Starting around February 22, , Fender cut the word “Broadcaster” off of their headstock decals. These models February to summer are known as “NoCasters”. Starting in the summer of , Fender adopted the name “Telecaster” for this model, and started using new decals after all the old clipped decals were used.

How to date my gibson GA

E-H talking pedal I just earlier this evening found out that what I thought was a talking pedal was actually called a Golden Throat. What does a talking pedal do, and how does it work? Is it the same thing as a Golden Throat?

Jensen Loudspeakers provide the richest and most dynamic sound in the industry. Jensen speakers assist you in having an incredible performance, regardless of your genre and style. Jensen speakers provide excellent, high-quality, great-sounding speaker options for your unique sound.

Only if we do not have a “viable” unit in yet, either already in process or in line to be processed, that may potentially need parts from a “parts unit”, will we release available parts for sale even though they may appear as available for sale to the public. As many of you know, the restoration of a unit can be a long, time consuming process. We may “lock up” parts that we may potentially need in the restoration of a unit and not necessarily get it marked ‘Hold’ or ‘Sold’ on the site right away.

Parts Photos; We get a number of requests for ‘photos’ of a specific part. Unfortunately, in most cases that is not practical as the amount of time involved in posting that exceeds the value of the ‘unique’ part. We will sometimes post photos of less ‘unique’ parts, if there is a greater chance of them being available in multiple quantities, or on a more ‘repeat’ basis. Shipping on most ‘small’ parts if typically via Postal first class or Postal Priority for both domestic USA and international orders.

Larger parts such as transformers and drivers speakers are typically via FedEx gnd. Due to their size and required packing supplies, the cost of ‘packing for safe transit’ and shipping are commonly ‘disproportionate’ to their cost, typically nearly equal to and sometimes greater than the cost of the part. An empty speaker cabinet or stereo receiver case is essentially the same size as a complete one. Yes the weight will be less, but most of items that size are calculated on ‘dimensional weight’, not actual weight so are commonly just as expensive as shipping a ‘complete unit’.

Secondly empty component cabinets have to be packed to disallow breakage, typically requiring nearly as much packing materials as an entire unit.

JBL DF Speakers

Oct Tue 21, 3: Sep Mon 10, Phoenix, AZ based on the one on radio museum 10A your amplifier has been rebuilt with miniature tubes.

So looking at the photo of the speaker on my tweed Fender Champ we see a code of (we’ll cover the 8EV code in a later post). This tells us that this is an Oxford speaker ( is the number for Oxford, is CTS, is Jensen and is Utah).

History[ edit ] The Fender Twin has gone through a number of changes over the years, both cosmetically and electronically. October Twin-Amp, model 5E8. Dual rectifiers and 6L6 power tubes, twin 12″ speakers. The early models of the larger “narrow-panel” tweeds are also remarkable for their refined electronics whose circuit design incorporated dual 5U4 rectifiers in the Twin and Bassman models, another improvement given Fender’s quest for a louder, cleaner amplifier.

The entire line of Fender amplifiers from to later for smaller models and Bassman was uniform in this look—tweed or “airline linen” covering with a maroon with gold stripe woven saran grill cloth. By the end of the decade, a JBL 15″ speaker was available on special order for the Pro model. This “hi-powered,” tweed-covered design continued into early , after the other Professional Series of Fender amplifiers had made the transition to the modern brownface design.

The exact plight of the Twin-Amp during the months between January and May , however, remains open to considerable speculation, debate and study. The prevailing explanation is that production was temporarily interrupted during these months as they coincide with the debut of Fender’s new “flagship” or top of the line amplifier, the Fender Vibrasonic -Amp. Nonetheless, Fender Musical Instrument Co. The image of the Twin-Amp in the Fender Catalog has been the subject of considerable scrutiny. The re-emergence of the Twin-Amp in mid revealed a new aesthetic design that would become prominent among Fender’s top of the line amplifiers, with the exception of the Vibrasonic-Amp.

By , the Bandmaster, the Bassman and the newly debuted Showman were all covered in the new look exemplified by the late Twin-Amp:

: Fender ’65 Super Reverb Watt 4xInch Guitar Combo Amp: Musical Instruments

There are four basic model updates in the evolution of the Large Advent speaker: Original Large Advent LA – designed and introduced in , and was simply named “The Advent Loudspeaker” when it was their only model. Note that the is a real wood version of the The original Large Advent is most easily recognized by the Masonite wood ring adapting the 10″ woofer cone to the 12″ frame and an inward facing foam roll edge.

An all metal frame woofer was utilized in the NLA with the following changes:

Feb 06,  · Most speakers prior to the 50’s had electromagnet coils instead of perminant magnets. If its got a ceramic magnet its most likely 61 or If its alnico its more likely to be 51 or and if its a guitar speaker, I’d mosly likely say its 61 or 71 because all .

Bigger strings can be tuned down a half or full tone and still not be too loose, resulting in an even darker, fatter and woodier tone. Together with single coil guitars and transparent Fender amps, this will give you a richer tone. If the strings are too big you will not have the necessary power, control and ability to play fast and bend and shake as easily as Stevie did. Another good example of how powerful string control makes great tone is Kirk Fletcher. Guitar setup and frets You need a high string action to allow big strings to vibrate freely without buzzing.

You need to be able to play quickly with lots of bending without getting tired after 3 minutes of Texas Flood. Amps Stevie rarely played with only one amp. This is a big topic itself, we have to leave it out for now.

The Unique Guitar Blog: The Fender Deluxe Amplifiers

If this item contains incorrect or inappropriate information please contact us here to flag it for review. Dating back to the 50’s when most audio was Hi-Fi using a single speaker enclosure, it is rare to find these as a matched pair. These have removable legs so they can be used as bookshelf or floor speakers.

Feb 03,  · The Blues Jr. Lacquered Tweed takes Fender’s 15W gem and gives it the true vintage treatment with a lacquered tweed covering and a vintage-voiced 12″ Jensen speaker.

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Replacement Speaker for Vibrochamp : Other Amps : The Gretsch Pages

Here is a group of ’67 to ’70 Kustoms along with a couple of Gibsons from the same era. Also offered, but not shown, was a 1×15 cabinet the same size as the 2×12 and a 3×15, which was one of the largest made. K PA heads Though technically PA heads, these are used extensively for guitar, and show the full complement of four channels, all with reverb. Kustom did not make a K head, this one was created from a K combo. Interior Note the simplicity of the early Kustom by Ross head compared to the later Kustom Electronics head picture taken with the reverb tank removed for clarity.

Excellent vintage condition. Either supplement a single you have or build a killer Mono system. Still mounted on a baffle – will separate from it and pack facing for lower cost of shipping and improved safety.

About this guide This is a quick guide to Leslie speaker models suited for Hammond organs. This document is meant as a reference for when you are browsing the classifieds or eBay and is not meant to list every little detail about the speakers. Some models are covered elsewhere on this website, often in detail and with pictures. About the background The background is Leslie finish ‘Oak No 20’.

About the roto-sonics Since most players and technicians, including myself, find the roto-sonic Leslie models less valuable, these are listed in a separate section. Some of these speaker models may be used as is, or they can be converted into more Hammond friendly models or simply serve as parts donors for other more valuable Leslie models. Electro Music tended to use the same parts in as many applications as possible, so a good many parts from, say, a model may be used to restore a model

Gibson Maestro GAT Accordion Amplifier

Trem is best I’ve ever heard. Sweetest low volume clean sounds with p s volume control set higher to “m” on volume control gives perfect small stage volume, with a fulldrive 2 or other 2 channel pedal it’s all the rig an experienced player needs. Jazz tones thru classic or modern rock.

Leading online dating websites. S, a victim, unattractive, where ghanaian men. Romance scams. Provided below site list of nigeria and 9, german dating site that can help you can google it. Here are scammers are particularly common at encyclopedia. dating vintage jensen speakers; list of dating sites in america; are leonard and penny still.

This information original was found on The Unofficial Ampeg Page http: I pulled this information from Google’s cache of the site. It has a note at the top of the page that they were reprinting with permission from the authors of Ampeg: If anyone feels this page should be taken down, please feel free to contact me. Ampegs can be divided into six distinct groups for dating purposes: Each group uses a unique serialization scheme that can be used to assist in dating the amps, but in many cases, it is the features and characteristics of the amps that determine the year of manufacture.

Electronic Industries Association EIA codes can also be very useful for giving clues as to an amp’s age. These codes can be found on speakers, transformers, pots, capacitors, and multi-section electrolytic “can” caps. Of course, these codes are only applicable to original components, not replacement parts. Ampeg amplifiers, especially the high-powered amps such as the SVT and V-series, contain lethal voltages even when unplugged and turned off.

Celestion Date Codes

E-H talking pedal I just earlier this evening found out that what I thought was a talking pedal was actually called a Golden Throat. What does a talking pedal do, and how does it work? Is it the same thing as a Golden Throat? They are completely different. The golden throat is a “talk box” like Frampton, Walsh, etc used. It is a speaker driver connected to a tube which goes in your mouth and needs to be miked through a PA to be used.

Back to Other Triode Pages These are codes often seen stamped on components found in US made vintage tube equipment. This list is circa , and some .

Lay down the song you strum. And rest yourself ‘neath the strength of strings. By the time I was 12 there was no question about it, I had to have a guitar. Looking back, there were some other fine amplifiers that were probably in the same price that came with finer construction, but a Silvertone amplifier was so accessible. The inner working may have been slightly different, but they were well made. Heck we had dials on our telephones instead of buttons. Twice a year we would get a big Sears catalogue i n the mail.

Some lucky folks got both Sears and Montgomery Wards catalogs. Of course we all wanted the biggest and loudest amplifier we could afford. Silvertone came through, although there were some quality issues. The electronics were fine. The reverb sounded a little tinny , considering it was housed in the amplifier.

Vintage Jensen + Marshall = KICKASS